Make Way for Ducklings
Production Manager: Zoe Garrick
Stage Manager: Natalie Main
Assistant Stage Manager: Sierra Hoss
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Director: Emily Tilson Ranii
Assistant Director: Shamus Hunter McCarty
Music Director: Dan Rodriguez
Choreographer: Kira Troilo
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Scenic Designer: James F. Rotondo III
Costume Designer: Kevin Morris
Lighting Designer: Anna Breveti
Sound Designer: Sean Doyle
Video Editors: Angelene Kim and
Jonas Bishop Hayes
Make Way for Ducklings was a virtual workshop of a new children's musical about a family of ducks finding their forever home in Boston. Each performer participated from their own home. We combined pre-recorded musical numbers with live performances for each scene using Zoom and OBS.
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Photography by Angelene Kim

Photography by Peter Wise
...And Jesus Moonwalks the Mississippi is a retelling of the greek myth of Demeter and Persephone. With our production manager working remotely for the majority of the timeline I worked to make sure all communication that was necessary was happening.
...And Jesus Moonwalks the Mississippi
Associate Production Manager - Zoe Garrick
Production Manager - Stephanie Elrod
Stage Manager - Jolie Frazer-Madge
Assistant Stage Manager - Angela Dogani
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Director - Sara Katzoff
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Scenic Designer - Christa Tausney
Lighting Designer - Amanda Fallon
Costume Designer - Zane Kealey
Sound Designer - Jon Beals
Amputees
Stage Manager: Zoe Garrick
Assistant Stage Manager: Jordana Roet
Production Assistant: Riley Satterfield
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Director: Sarah Shin
Playwright: Quentin Nguyen-Duy
Dramaturg: McKayla Witt
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Scenic Designer: Emma Barron
Costume Designer: Maddy Brown
Lighting Designer: Danielle Elegy
Sound Designer: Feitong Wang
Projections Designer: Albina Aleksandrova
Amputees by Quentin Nguyen-Duy is about first-generation Vietnamese-American Sam Nguyen is home for the Holidays. He is forced to rekindle his relationship with his schizoaffective brother and estranged mother, Sam seeks to find the origins of his family’s trauma in his father’s past. When the past becomes blurred with the present, Sam is confronted with an ugly family history that is not so far from his own.
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As this production was a new play process, I worked closely with the playwright, director and actors to give feedback on the play and any changes that were made. I also worked closely with the playwright and director to design a schedule that allowed the playwright freedom to make changes while also acknowledging that changes closer to the performance date would be quite difficult for the actors.

Photography by Andy Brilliant

The Grace of Mary Traverse
Stage Manager: Zoe Garrick
Director: Jessica Scout Malone
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The Grace of Mary Traverse follows the sheltered daughter of a wealthy merchant who leaves home to experience the outside world. This play was performed in a quaker house, we took great advantage of the playing space we were given. We used the architecture of the room as is and used costumes, props, and extreme characters to communicate change in location and time.
Photography by Jessica Scout Malone
Horizon Line
​Stage Manager: Zoe Garrick
Assistant Stage Manager: London Wise
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Director: Jeremy Ohringer
Assistant Director: Leila Ghaemi
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Scenic Designer: Megan McGuigan
Assistant Scenic Designer: Sam Galvao
Costume Designer: Kevin Morris
Assistant Costume Designer: Emily Keebler
Lighting Designer: William Brown
Sound Designer: Jacob Montgomery
and Jon Beals
Props Master: Jillian Tone
Assistant Props Master: Danielle Ibrahim
Horizon Line is a retelling of Homer's Odyssey. We follow Odessa, as she tracks her infamous father through a contemporary, anachronistic American landscape. On her journey, Odessa encounters odd and familiar characters who help her understand that each of us our in charge of writing our own story.
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This was a new play process that sought to create a true immersion of the audience with scenic elements that put the performers and the audience together

Photography by Andy Brilliant

Photography by Matthew Robson
In this production Orwell's dystopian world was used to critique the global acceptance of authoritarian tendencies in liberal democracies and the adoption of a ubiquitous communication technology that collects, preserves, and uses data on each one of us. We participate in an “opt-in” surveillance state where our leaders constantly manipulate truth and objective fact.
As a stage manager on this production I worked to facilitate a partnership and experiment with the School of Visual Arts, and BU’s Department of Electrical & Computer Engineering. We used projection mapping to allow projections to interacts with the actors in live time.
1984
Stage Manager: Zoe Garrick
Assistant Stage Manager: Emma Cavage
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Director: Clay Hopper
Assistant Director: Leila Ghaemi
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Scenic and Projections Designer: Steven Doucette
Lighting Designer: Jonas Bishop Hayes
Sound Designer: Jacob Montgomery
Creative Development: Ellen Lo
Red Velvet
Stage Manager: Adelaide Majeski
Assistant Stage Manager: Zoe Garrick
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Director: Bryn Boice
Assistant Director/Dramaturg/Fight Director:
Jessica Scout Malone
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Scenic Design: James J. Fenton
​Lighting Design: Alex Fetchko
Costume Design: Becca Jewett
Sound Design: Angelica Alvarez
Props Design: Linda McConchie
Red Velvet shows the biography of the 19th century actor Ira Aldridge and his taking the role of Othello.
